REVIEW: Knights
Man vs. Machine. Seemed a simple enough premise for a review roundtable. And so I trekked to the video store, intent on picking up Stephen Kings' ill-fated foray into the directors chair, Maximum Overdrive. I was to be denied, of course... the tape had been added to the $4.95 Ex-Rental Sale table and sold off to some Movie Masochist. (There's a another one in my suburb? We should meet for coffee and DTV crap sometime...) And so, I checked out the sci-fi shelves. I contemplated, then rejected a video box which promised "In the future, the machines rule!" as the back didn't appear to mention machines in any way shape or form... Although any film starring Frank Stallone and Joe Estevez and featuring post-apocalyptic roller-bladers (The Rollerblade Seven) is probably worth a watch. I considered a "Spaceship struck by computer virus on a collision course with Earth" film... but as it starred Sandra Bernhardt(!!), I gave it a miss.
Finally, I thought I found the perfect choice. The tagline... "Warrior vs. Cyborg... In the futuristic showdown to end them all!". Hmm, reading the back of the box, I learnt I'd be watching a young warrior battle rebel cyborgs that feed on human blood. It was definitely (Wo)Man vs. Machine. I grabbed it. Later, I realized I should have read the box more carefully... namely the words "From the director of Cyborg and Kickboxer 2".
Oh, good God.
I just hired an Albert Pyun movie.
Wish me luck...
(Or possibly '93, according to the IMDB.)
Preview Time!: We're off and running with the most naked rip-off of Die Hard I've ever seen. Bad guys being taunted by the hero on walkie-talkies, explosions in lift shafts, the whole nine yards. Jeff Wincott stars in Open Fire. Bleeh. Next a super-brief promo for a "True Story" thriller, Terror in the Night, starring Justine Bateman. (!) Next.. Hey, Chuck Norris! In a comedy. Kind of. Make that a Karate Kid clone called Sidekicks. I'll take a pass. More chop-socky action with the next preview... and there's Eric Roberts! Wondered when he'd show up... Best of the Best 2, huh? Looks pretty lame. An actual, honest-to-God, released-in-theaters film is up next. Too bad it's The Good Son, starring the Evil Macauly Culkin and... Elijah Wood! (With throe huge eyes, shouldn't HE have been the psycho kid?). The previews try to one-up themselves with a Good Son rip-off, The Paperboy. (Starring Alexandra Paul and William Katt.) Bonus points for the uber-cheesy tagline... "He's Bad News!". And finally Mrs. Doubtfire... which is hardly a surprise, as that trailer was on 99.75% of all video tapes from the moment the film was released.
Kings Road Entertainment: Well, we're off and running now! To mis-quote MST3K... 'They're promising us entertainment, but frankly I have my doubts.". The films soundtrack kicks off with that godsend for low-budget movie-makers, the synthesizer theme. (It's nice to be able to hire one man to play all the music for the flick... in this case, "Tony Riparetti". Yo, Tony... ahhh, fuggeddaboudit!)
Butt-Ugly Desert!: We fade up on the typical Post-Apocalyptic landscape... as played by Utah. To be fair to Utah, I'm sure it's a nice, scenic desert in real life. But throughout the film, the landscape gets filmed in such a way as to make it the least attractive patch of dirt possible. (Mainly by the use of coloured filters to give that whole "War-torn wasteland" feel... Which would be fine if Albert stayed consistent. But more on that later.) Meanwhile, we get a helpful Expository Voice-Over from our heroine.
"It was another age.... another place. Here, time had long emptied the world, and in it's place, came the cyborgs. Powerful, invincible... and we humans became the victims of their hunger."
Where to start? Another age, and another place, huh? From what perspective is she talking about this? If it's her story, it'd be HER age and place, surely? Next, time had apparently emptied the world (And yep, that's all the explanation we get for the post-apocalyptic nature of things.) and THEN the cyborgs arrived? Who built them? With what technology, seeing as how the apocalypse already occurred? And, wouldn't "Powerful" and "Invincible"pretty much equate to the same thing in the end? Whatever, let's move on.
Sepia-tones! The Metal Monk: Cue the Flashback as we check out our heroines childhood. Seems her family was traveling with some "farmers"... what were they farming, rocks? And then, riding out of the shadows arrive... well, a bunch of guys in faux-Arabic robes. Yep, there's nothing scarier than men in burquas! They're led by Lance Henriksen, who we later (Much, MUCH later) discover to be named "Job". Job is obviously the leader, as he's the only guy with visible cybernetic parts. Namely, a stonking great cybernetic arm. Which proves to come in useful for... well, bugger all, really. He politely asks the farmers to either join their army, or throw down their weapons and die so his cyber-goons can feed. While the farmers ponder their choice, we meet Nea, our soon-to-be leading lady, as a scruffy young girl. Her mother gives Nea her baby brother (PLOT POINT!) and tells her to...
RUN!: At which point, she kind of wanders away. "Running" involves a little more speed than that, Nea. (In fact how did she manage to escape, seeing as she appears to be in full view of the cyborgs the whole time?) Perhaps they were distracted by...
Micheal Jackson, Traitor!: Sure, this curly-haired dude doesn't LOOK like M.J...but when he opens his mouth to become a Cyborg Army Volunteer... high-pitched perfection! Job wants a demonstration of MJ's loyalty, of course... by helping to herd up the "Pumpkin-heads". (His phrase, not mine.) Where the heck did THAT expression come from? I mean, it's a war-blasted desert landscape... what's the chance he's even SEEN a pumpkin? All hell breaks loose... possibly. (In fact, make that "All hell is implied to break loose"... And if it does, we never get to see it.)
Cheap-ass Massacre!: As we abruptly cut to the aftermath of the battle. Cyborgs win! Cyborgs win! There's a close-up shot of the baby boys wrist at this stage... ooh, a crescent-shaped birthmark! (PLOT POINT!)
KNIGHTS!: After the credits, we meet some more farmers. Maybe the film should have been called 'FARMERS!"? These farmers have some expository dialogue to spout, turning the scene into a meeting of...
Bad Actors' Anonymous!: Okay, everyone pick a silly accent and have fun! Irish Guy, roll the "r"s some more. Wolfman, over-act more! Grown-Up Nea makes her appearance here... She's played by Kathy Long, who has Chyna-like arms on the video box. Man, if she's half the actress Chyna is... we'll, that's nigh-near impossible without inventing Quantum Bad Acting.
The Batty Medium: Nea gets some advice from this cackling old biddy. She's destined for greatness! So long as they mean, "Great at arm-wrestling", she's got a shot. So we don't forget who the cyborgs are, we check out what they've achieved in the last decade.
Army of 20?: Not a lot, as it turns out. In fact, there's just 20 of them left. Not that this has stopped them maintaining their human army, or explains why they need "...the blood of 10, 000 humans!". Seems excessive, if you ask me. Oddly, despite roughly 40% of the entire Cyborg Army sitting in the same tent, Job decides not to pass on this information verbally. Instead he uses a Telepathic Rotating Adult Pleasure Device to do the job. (Not to "Do the Job", though... that would be perverted.) He also demonstrates his strangest character trait here... spitting out a mouthful of water whenever he gets worked up. Our villain's a compulsive drooler? Terrifying. Outside the tent, Job and a couple of other cyborgs have a brief philosophical conversation.
Cybor---ing!: Okay, not nearly brief enough. Guys, I don't care if you're alive or not. Make with the killing and mayhem already!
Suck down a warm one!: That's better... Job whips out his Spiky Needles of Death to suck the blood of a random human. Now, if the cyborgs live on human blood, shouldn't they ALL have honking great cybernetic arms with needles attached? Oh well, it's a low-budget universe, I suppose.
Abu to the rescue!: The unwilling blood donor is kind-of saved by a young boy (PLOT POINT!) dressed like a grade-school Aladdin. (I say "kind-of", because he acts like he's dead anyway. Too little, too late kid...) Job contemplates offing the kid, but decides he likes the kids "Moxie". Man, who activated his Cliché Circuits? The kid drags off his buddy as Job lays out his battle plan. He uses the phrase "Terminate us" at this stage. Penalty Flag! Referencing a better movie! Five yards, repeat first down!
Afternoon for night?: The heavy blue filter gets a workout as Job divides his forces (All 20 of them) to attack two settlements at once. Yep, there's a plan... and so the...
Ten Man Army?: ...Rides into battle. Well, ride into a shanty town to knock out our Heroine, then make the same feeble demands Jobs been making for a decade, actually. One of the humans shows some moxie (See, I can do it too!), throwing his...
Bouncy Spear!: "Ha, I am a Cyborg! Your spear bounces off me like it was rubber! Oh, wait... it IS rubber!"
Low-Budget Mayhem!: And so a mild rumble breaks out. Oh, the excitement. The cyborgs are under orders to...
Bring 'em back alive... oh, bugger.: But when Jobs' second-in-command (Eventually named "Simon") rides in, he finds all the humans have been slaughtered by his...
Hench-stupids: Including one who, on seeing Nea trying to flee, fires an arrow into her, then "co medically" mumbles "Sorry"... Oh, my aching sides. No, I'm wrong, this film is a pain in my ass, not my sides. Simon is none too pleased, as evidenced by the fact he screams the end of EVERY LINE! Yep, kind of LIKE THIS! Neas' only wounded by the arrow, though, allowing Simon to corner her in a lean-to and kill her, thus ending the movie. What? Oh, damn, I was projecting my wishes onto the screen again... what he actually does is corner her, then waste time making mincing threats. In fact, he wastes so much time he's eventually interrupted by...
Kristofferson of Arabia!: Although taking a second look at his outfit, which includes a brown, hooded robe, I'm guessing we were meant to get more of an Obi-Wan Ken-obi vibe. He's quickly revealed as being the..
Kristerminator!: Yep, old Kris is a Cyborg, too! A cyborg designed to kill other cyborgs. Penalty Flag! Stealing the premise of "Terminator 2", released a year before this was made! Ten Yards, still second down! Kris and Screamin' Simon face off, exchanging some expository dialogue. (There's a ton of exposition for this film, despite the plot being simple enough to fit on a matchbook cover.) Kris's character continues the biblical motif, of course.
Gabriel, Deus ex Cyborgia: He trades bon mots with Simon, who initiates his Bitchy Chip. And the fight begins! Suffice it to say, it doesn't erase memories of the lightsaber duels from the Star Wars movies, although is does suddenly get a HUGE Penalty Flag!
The Princess Bride?: They are SO ripping-off the Cliffs of Insanity duel! Right down to the "witticisms" (Which aren't witty) they trade between blows. A strange aspect of Cyborg warfare comes in here... the fact that any blow can make them fly forty feet in the air and execute a triple twisting somersault on the way.
Bouncy Castle Rumble?: I'm not kidding! It's like they stumbled across an unemployed troupe of circus acrobats and offered them a part in the film! Much flipping and flopping later, Simon calls for a...
Timeout! Eyeball on the field!: Yo, Gabe... You just ripped his eye out. Don't stand there and look at him while he replaces it... seize the advantage, dude. *sigh* Fine, stand there like a dummy, then. More brawling later (In which our drippy heroine FINALLY tries to get involved... unsuccessfully, I might add.) Gabe takes out Simon.
Fire in the Head!: Excellent, you immolated the Bitchy Badguy. Is the movie over yet? Simon tries for one last piece of 'comedy", with the line. "Oh, great... Am I on fire now?" before expiring. In the hands of the right director, that could have been a funny line. Need I mention who directed this tripe?
I'm getting bogged down. To steal a trick from Ken Begg, let's go to the bullet-point treatment until something interesting happens. Or until the movie ends. Whichever comes first.
Huh? Whafuck?: Okay, I'll break out of Bullet Time to try and explain THAT note. Due to some insanely bad editing, I suddenly felt like we'd skipped to a completely different part of the film. Here's what happened. Nea leaps over a rock, cut to Job on top of a bigger rock. Cut to Nea, picking a skewer of roasting meat off a campfire. Before you can say "When did she have time to pitch camp and cook?", she leaps back over the rock and fires not one, but TWO flaming shisk-kabobs at Job. He gets one in the chest. (Yes, ONE... the earlier arrow has vaporised in a puff of bad continuity.) Cut to Jobs' slave-girl, chanting and babbling insanely over the smouldering corpse of Jobs' (Cybernetic) parrot. It took a few rewinds, but I figured it out eventually. The skewers were on a small campfire, glimpsed briefly as she leapt the rocks. The cybernetic parrot confuses me... who'd want to cybernetically enhance something that does nothing but eat and crap? And the two missing arrows are back in Jobs body next time we see him. Albert Pyun remains at large. SEQUEL?: And here's where my jaw dropped. Albert Pyun may be many things... but he's a man with gonads the size of grapefruits to get away with THIS ending. Here's a partial transcript of our heroines final Voice-Over. "The search for my brother would lead us across time and space... far beyond Cyborg City.. (something incomprehensible).. and finally to the edge of the Universe itself." Uh-huh. Well, needless to say, this rather expensive-sounding sequel has yet to be made. And somehow, I'm pretty sure it never will be. This film however, ends with some blatant.. Padding: As each of the 4 leads (Job, Nea, Gabriel and even Simon) get 30-second clips of their fight scenes before the credits roll. As they show them in reverse order, it kind of appears that Scott Paulin, who plays Simon, is the leading man. But hey... it's over. Skeeters Summary: Painfully inept, butt-clenchingly cheap. Man vs. Machine? We'll call it a goal-less tie for this film.
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